Big Joanie playing the Town Square Stage at Cro Cro Land 2025

Festival Review in Pictures: Cro Cro Land 2025 at Stanley Arts, South Norwood ft. Billy Nomates, Big Joanie, Goat Girl and a host of Joyzine favourites

The sad demise of Roadkill Records in August 2023 left a big hole in the London indie gig circuit, especially for one-day and weekend festivals in small local venues. LOUD WOMEN have their niche, as does Punk n Roll Rendezvous, but they mostly cater for audiences north of the river. For music lovers south of the Thames there is a real dearth of venues, gigs and festivals for indie and grassroots bands. Enter Cro Cro Land, whose mission from the outset was to remedy this. The initial festival in 2019 was a great start and a promise of better things to come: then the pandemic happened. The indie music scene was hit hard, with venues closing and bands disappearing. After a false start in 2023, Cro Cro Land made its welcome return to Croydon in 2024 with a new home at Stanley Hall in South Norwood, a local arts venue that served as a perfect setting for the event. A strong line up reinforced and built on the promise of the first festival. The recent third outing, on the weekend of 5 and 6 April, further confirmed that music fans in South London want more gigs closer to home that don’t require lengthy journeys to Camden, Hackney or further afield.

Over thirty bands were packed into the weekend over the venue’s two stages: Town Hall (the main stage) and Concrete Playground (a smaller stage and room). Compared with last year’s festival, there was a lot more overlapping of the bands, which sometimes made for hard decisions. However, with only a couple of minutes between the stages it was easy to get a taste of a band’s set before bailing. Although, theoretically, the better bands were on the Town Hall stage, those on the Concrete Playground were able to hold their own with standout high-energy performances from Lucky Number You, Mythora, Bridget and the always anarchic A Void on the Saturday, and Yuke, Dakka Skanks and Jemma Freeman and The Cosmic Something on the Sunday. Dogviolet proved to be real troupers, opening the main stage on the Sunday then doing a last-minute stand-in a couple of hours later on the other stage, getting to showcase their talents to the growing audience that didn’t turn up early.

Having attended hundreds of small indie gigs and festivals over the years, having things run to schedule is a rarity, and the more bands involved the chances of timings going out the window increase, but to the credit of Cro Cro Land’s organisers, everything ran on time over the weekend, and with more than one stage this is vital to keep the punters happy, especially when there is such a stellar line up.

Although it is still early days, Cro Cro Land already feels like a vital fixture on the London indie music calendar. While it would be great to see it continue to grow in size and stature, it also feels the right size as it is, with a sense of familiarity and intimacy. Only time will tell, but as long as it returns next year, and for years to come, to fly the flag for live music in south London.

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Words and photography by Chris Patmore

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