Let the Alpine Play is a 16-track album blending heavy rock and post-punk atmospherics with meticulous production. Each track is beautifully mixed with a controlled chaos—everything occupies its own space while simultaneously competing for attention, creating an engaging and dynamic listening experience.
James Quentin Devine’s baritone vocals are compelling and captivating, drawing the listener in with their humanity. The imperfections in his delivery—the roughness and vulnerability—make the performance more compelling and listenable than polished perfection. The double tracking of his vocals throughout is a compelling and unique production aesthetic that I have not heard used in this way before. It’s a refreshing antidote to AI-generated pop confection: authentic, flavourful, and uncompromising.
The instrumental performances are masterful throughout. Steve Fishman’s bass work—both upright and electric— is groovy and perfectly in the pocket, with gorgeous tonal qualities. The melodic touches in ‘Space Time’ are particularly lovely, while the upright bass in ‘TTMS’ is exemplary. Sean McCarthy’s drumming sits perfectly in the mix, cutting through at precisely the right moments; ‘Muffler’ showcases his rock sensibilities and groove brilliantly. Anthony Percoco’s keys and guitar provide a starring role throughout, especially on ‘TTMS’, with beautiful sounds that complement rather than crowd Devine’s vocals.
Several tracks stand out. ‘You Got H-O-R-S You Want E Too?’ is particularly engaging—the organ paired with the groove of drums and bass, combined with Devine’s playful vocal delivery (reminiscent of Mark Sandman from Morphine), creates an infectious, fun vibe. ‘Impro’ captivates with its off-kilter aesthetic, blending seemingly novelty keyboard sounds with chaotic vocal delivery that competes beautifully against intense bass playing. ‘I Think We Met in Setagaya (Maybe It Was Seville)’ is equally compelling — a perfect encapsulation of the album’s appeal: beautiful chaos in the mix, evocative lyrics, double-tracked vocals, shimmering guitar, and an insistent piano that demands attention.
What unifies the album’s diverse styles is a cohesive production aesthetic that runs throughout. Let the Alpine Play is a superb collection that showcases sophisticated musicianship and production. Highly recommended.
Let the Alpine Play available now as a digital download from Bandcamp
Scaled Alps: Website
Review by Mansell Laidler
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